• The final installment of Mike Fenton's look back at autoharpists from outside the usual autoharp community.
  • Eileen Roys uses "Good King Wenceslaus" in her Sacred 'Harp column, including the fact he was really a Duke. She gives us some fascinating history of the man and the song.
  • Verla and Kathleen have two lullabyes to celebrate the arrival of Sadie Lenore.
  • Bill Clifton receives an award from the bluegrass association.
  • Bill Dillon is our Picker's Portrait. He is 88 and still going strong!
  • Glimpses from the autobiography of Charles Zimmermann.
  • Siegfried Knopfler's arrangement of Silent Night.
  • Karla and Pete make Over the Rainbow colorfully chromatic.
  • Linda Huber arranges the second in her series of three French bourees.
  • Mike Herr helps the beginning jammers with Nail That Catfish to the Tree.
  • Aura Lee or Love Me Tender, Mary J. Park lets the player decide.
  • A challenge to compose a tune to fit several poems; each one a different theme.
  • Tony Wentersdorf's winning tune at Winfield.
  • Club listings and news.
  • More Post Scripts from 'Harpland with Mary Umbarger.
  • Pro-Files: who is playing where compiled by Barb Barr-Madorin.


  • Lucille Reilly uses "Petronella" in the Diatonic Corner.
  • Mary J. Park teaches the beginners the "Riddle Song," using two different techniques.
  • Linda Huber brings us the last of the three French Bourees.
  • Mike Fenton profiles Judy Dyble of the Fairport Convention.
  • Eileen Roys presents "His Eye Is On the Sparrow" in her Sacred 'Harp column.
  • Nadine White reports on Autoharping en France ... the Folk o'Bourg festival in Normandy.
  • Mike Herr teaches jammers the "Staten Island Hornpipe."
  • Charles Whitmer reports on the Shizuoka Autoharp Gathering.
Return to the Main Autoharp Quarterly Page